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STUDIO THOMAS KUHN

I DESIGN VISUAL WORLDS, SYSTEMS, AND EXPERIENCES ACROSS FASHION, MUSIC & CULTURE.
Art Direction & Experience Design
WORK


CREATIVE DIRECTION

UNTIL WE RISE - A SYNTHETIC MEMORY
MSCHF X ACRONYM
KEINEMUSIK
KISS & FORGET – ALBUM FILM
THE DECK CREW - SPECULATIVE WORKWEAR
PHILIPP PLEIN SS22 
 

EXPERIENCE DESIGN

SPECTRAL TRANSIT
VW POLO ID.
WHOMADEWHO LIVE VISUALS
PLAY PILOT APP
THE PERCEPTION STUDY
SPECTRAL TRANSIT


VISUAL CAMPAIGNS

Nic Kaufman – Fucking Young
Miu Miu
Philipp Plein
Sandro Paris
Home Again
Le Mile No.10
Lary – Cover & Editorial



-> Floathouse Studio Platform

STUDIO THOMAS KUHN




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STUDIO THOMAS KUHN

studio@thomaskuhn.art

Instagram @thomaskuhn
LinkedIn 

+33 769320695 (PARIS)
+49 1622060288 (BERLIN)

CREATIVE DIRECTOR OF @floathouse.studio


Let’s build something sharp, strange, and unforgettable.


Selected Clients
Miu Miu, Keinemusik, WhomadeWho,
Sandro Paris, Philipp Plein, Volkswagen, Tinder, Mozilla, Telekom, Electronic Beats, Public Possession, Mschf, Acronym, Sony Music
Bio  Thomas Kuhn is a creative director and experience designer working at the intersection of fashion campaigns, spatial experiences, and interactive visual systems.

His practice blends cinematic storytelling, mixed-media art direction, and digital experience design, building visual worlds that move fluidly between screen, space, and performance



Global fashion + music campaign production

Founder of Floathouse Studio, producing spatial, cultural, and multimedia formats

Interactive experience design (motion systems, real-time visual tools, prototypes)

    
   -> FLOATHOUSE STUDIO
The Deck Crew
Speculative Workwear for a liminal Voyage
Creative Direction, Worldbuilding, Synthetic Photography, Visual Research


Floathouse Journal Vol. 2 — Synthetic Production Study

Can a single historical uniform evolve into multiple realities?
This project reimagines the 1920s steamboat deck crew through a series of speculative worlds, using AI-assisted imaging as a tool for visual R&D.





Concept
 Starting from archival references — silhouettes, textiles, and crew hierarchies — the series explores how maritime workwear might adapt in alternate timelines:

one cold and industrial, one dreamlike and chromatic, one grounded in contemporary subcultural style.



The goal was not to generate images, but to design a coherent visual system that holds under multiple atmospheric conditions.



Synthetic Production — Iterative Image Development


Environment I


Environment II





Tools & Workflow

Photography, Midjourney, Nano Banana, Topaz, Photoshop, Higsfield







© STUDIO THOMAS KUHN 2027