Let’s build something sharp, strange, and unforgettable.
Selected Clients Miu Miu, Keinemusik, WhomadeWho,
Sandro Paris, Philipp Plein, Volkswagen, Tinder, Mozilla, Telekom, Electronic Beats, Public Possession, Mschf, Acronym, Sony Music Bio
Thomas Kuhn is a creative director and experience designer working at the intersection of fashion campaigns, spatial experiences, and interactive visual systems.
His practice blends cinematic storytelling, mixed-media art direction, and digital experience design, building visual worlds that move fluidly between screen, space, and performance
Global fashion + music campaign production
Founder of Floathouse Studio, producing spatial, cultural, and multimedia formats
Concept
Spectral Transit is a site-specific light installation composed of thousands of suspended and floor-mounted optical discs, arranged along a continuous reflective arc inside a decommissioned cargo train station.
A moving light source, mounted on a circulating mini locomotive, activates the surface of each disc, turning obsolete carriers of media into a living, shifting field of color and memory.
A soft elegy to the speed at which the digital world discards itself.
The installation transforms discarded disks, once carriers of sound, image, and personal culture, into a generator of light, motion, and collective presence. Each disk, donated from households across the region, carries its own invisible history. Reanimated by motion, these fragments cast an unrepeatable sequence of reflections across the industrial floor, forming a temporary, living network of color.
Fragments gain coherence only when witnessed and shared.
A modified scale locomotive carries a focused LED array. As it travels, its beam becomes the activating force of the installation — generating color gradients, moving reflections, and shifting temporal rhythms.
BTS
The installation was activated by a 30-minute live performance blending sound, movement, and vocal distortion. As the performer moved through the reflective field, the system expanded: the body became a prism, and the light became script. The installation transformed from spatial composition into a shared, cinematic ritual.
Culture decays faster than we can archive it — but it always travels, dissolves, and revives.